Caravaggio 卡拉瓦乔传记(ISBN=9780241954645) word 免费 在线 网盘 下载

　　Michelangelo Merisi da Caravaggio lived the darkest and most

dangerous life of any of the great painters. The worlds of Milan,

Rome and Naples through which Caravaggio moved and which Andrew

Graham-Dixon describes brilliantly in this book, are those of

cardinals and whores, prayer and violence. On the streets

surrounding the churches and palaces, brawls and sword fights were

regular occurrences. In the course of this desperate life

Caravaggio created the most dramatic paintings of his age, using

ordinary men and women - often prostitutes and the very poor - to

model for his depictions of classic religious scenes. Andrew

Graham-Dixon's exceptionally illuminating readings of Caravaggio's

pictures, which are the heart of the book, show very clearly how he

created their drama, immediacy and humanity, and how completely he

departed from the conventions of his time.

List of Illustrations and Illustration

  Acknowledgements

Maps：Milan，C．Z590；Rome，C．i600；

  Valletta，C．z607；Naples，C．z6zo；

  Ita／y，C．i610

Preface and Acknowledgements

Part One：Milan，1571-92

Part 7wo：Rome，1592—5

Part Three：Rome，1595-9

Part Four：Rome，1599—1606

Part Five：The Alban Hills，Naples，Malta，

  Sicily,Naples，Porto Ercole，l 606-10

Epilogue

Notes

Further Reading

lndPX

For more than twenty-five years, Andrew Graham Dixon has

published a weekly column on art, first in the Independent and more

recently, the Sunday Telegraph. He has written a number of

acclaimed books, including A History of British Art and

Renaissance, and is twice winner of the Hawthornden Prize,

Britain's top prize for writing about art. He is one of the leading

figures in broadcasting in the UK, having presented seven major

television series on art for the BBC.

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编辑推荐

　　Caravaggio has rarely been seen in such depth and such relief

as in this marvellous biography. Andrew Graham-Dixon reads

Caravaggio's paintings with the habits and assumptions, thoughts

and fears of his contemporaries so that we see and feel the

paintings more acutely and intensely than before. The man and his

work emerge enriched and enlivened -- Neil Macgregor, Director Of

The British Museum Caravaggio: A Life Sacred and Profane gave me

immense pleasure and provided constant delight. It is a thrilling

lesson in the art of seeing, a sensual exploration of the shadows

of Caravaggio's sometimes violent but always Christian world, a

detective story with a highly satisfying ending. Andrew

Graham-Dixon's ability to have a reader see a painting through

written language is a rare and precious gift. The book's rigour and

integrity are obvious. I trusted every word and was sorry to turn

the final page -- Peter Carey

书籍介绍

Michelangelo Merisi da Caravaggio lived the darkest and most dangerous life of any of the great painters. The worlds of Milan, Rome and Naples through which Caravaggio moved and which Andrew Graham-Dixon describes brilliantly in this book, are those of cardinals and whores, prayer and violence. On the streets surrounding the churches and palaces, brawls and sword fights were regular occurrences. In the course of this desperate life Caravaggio created the most dramatic paintings of his age, using ordinary men and women - often prostitutes and the very poor - to model for his depictions of classic religious scenes. Andrew Graham-Dixon's exceptionally illuminating readings of Caravaggio's pictures, which are the heart of the book, show very clearly how he created their drama, immediacy and humanity, and how completely he departed from the conventions of his time.

• 作者： indiechild 发布时间：2019-06-08 17:45:47

  His dramatic sense of composition, his strikingly stark handling of light and dark and his sheer rawness of feeling worked themselves into the DNA of Western art.

• 自古天才多短命

  作者：紫檀 发布时间：2012-07-17 10:35:05

  文艺复兴时期，意大利出现了两个“米开朗基罗”，一个是伟大的雕塑家米开朗基罗•波纳洛蒂，另一位是巴洛克绘画的开山始祖米开朗基罗•梅里西（Michelangelo Merisi）。梅里西1571年9月29日出生在小镇贝加姆乡下一个村子，父亲是米兰小有名气的建筑装饰师。基于这种便利，梅里西13岁就被父亲接到米兰并拜画家佩特查诺为师，学习“威尼斯画派”和伦巴第风格的绘画技巧。在佩特查诺的画室，自幼便有绘画天才的梅里西如鱼得水，其他学生还一笔一画描摹静物的时候，他已经超越了同学和老师，小小少年经常穿过米兰的大街小巷，到教堂、公馆和市政厅临摹提香、佛帕、罗曼尼诺、乔尔乔尼（Giorgione）和布瑞西亚（Brecia）等大师的作品，且尤其对“透视法大师”安德瑞•曼泰尼亚的作品深深着迷。当他领悟到“透视法”的魅力和门径后，这个胸无城府的少年开始公开否定自己的老师，因此被轰出门墙。不过，佩特查诺开除他还有另一个理由——他爱上并搞定一名学画男孩，也就是说，他不得不顶着“同性恋”的恶名离开画室。这一年，梅里西还不满18岁。